Music

Born in San Diego, California, Bruce Stark is a composer whose music reflects the varied elements of his musical upbringing: early studies in percussion, jazz piano, and classical composition. After completing a Master’s degree in composition at the Juilliard School, he lived for more than 20 years in Tokyo, where he was active as composer, arranger and jazz pianist.

His music, ranging from solo piano works to chamber and orchestral pieces, has been performed on concert stages across five continents, and broadcast on radio programs worldwide. His compositions can be heard on many recordings (Victor Entertainment, Centaur Records, Hearts Of Space, Meister Music, ALM Records, MA Recordings and various independent labels).

His awards include: First Prize in the Composers Guild Contest, Second Prize in the Barlow International Competition, ASCAP composer awards and others. He was also the winner of First Prize in the solo jazz piano category of the 2013 Wildflower Music International Recording competition, and as pianist he has appeared in major concert halls throughout Japan as well as in Shanghai’s Grande Theatre, Kennedy Center, and on a six-country tour of South America.

Learn more about Bruce Stark at https://www.brucestarkmusic.com.

Lawrence Schwedler earned a Master of Fine Arts degree in classical guitar performance with a specialization in electronic music from the University of California at Los Angeles in 1993. He was a founding member of the Modern Arts Guitar Quartet, a chamber ensemble specializing in 20th century music, performing concerts in Europe, Mexico, Canada and the U.S. Since then he has worked as a composer, sound designer, and audio director in the video game industry for developers such as The Dreamers Guild, JVC Digital Arts Studio, and Nintendo Software Technology. Together with Claude Comair, Rory Johnston and James Phillipsen he was awarded two U.S. patents for Nintendo, one for an interactive music engine and another for a real-time wave table sound generator.

In the spring of 2011, he began working with DigiPen’s Dr. Matt Klassen to develop curricula for two new degree programs in music and sound design, at the request of DigiPen’s president, Claude Comair. In the summer of 2012, he left Nintendo to launch and direct the new programs. Schwedler says he feels lucky to be able to share the unique perspective he gained from more than a decade of making music and sound for Nintendo products with the students at DigiPen.

Selected Game Credits

• Rhythm Heaven Fever (Nintendo Wii 2012)
• Mario vs. Donkey Kong: Mini-Land Mayhem! (Nintendo DS 2010)
• Mario vs. Donkey Kong: March of the Minis (Nintendo DSi 2009)
• Nintendo CrossworDS (Nintendo DS 2008)
• Metroid Prime: Hunters (Nintendo DS 2006)
• Mario vs. Donkey Kong (Nintendo GameBoy Advance 2004)
• Ridge Racer DS (Nintendo DS 2004)
• 1080°: Avalanche (Nintendo GameCube 2003)
• Wave Race: Blue Storm (Nintendo GameCube launch title 2001)
• Pokémon Puzzle League (Nintendo 64 2000)

Greg Dixon teaches courses in Advanced Composition and Sound Design at DigiPen. He holds a Ph.D. in music composition with a specialization in computer music from the University of North Texas, where he worked as a composition teaching fellow, recording engineer, and technical assistant for The Center for Experimental Music and Intermedia (CEMI). Dixon received his M.M. in Music Composition and B.M. in Music Engineering Technology from Ball State University.

His compositional research focuses on electronic music and interactive music systems for games, acoustic instruments, sensor technologies, and human interface devices.

Dixon has worked for more than fifteen years as a professional sound engineer, which has greatly influenced his strategies for designing sounds in the studio. In addition, he has served as a producer, recording engineer, arranger, performer, mixer, and mastering engineer on dozens of commercially available recordings in a wide variety of genres.

Brian Schmidt has been creating music, sound, and audio technology for games since 1987. As the 2008 recipient of the Game Audio Network Guild’s Lifetime Achievement Award, Schmidt has a credits list of over 130 games for companies such as Sony, Electronic Arts, Capcom, Sega, Microsoft, Zynga, Namco, and many others. Apart from his work as one of the industry’s first freelance game composers, Schmidt spent 10 years at Microsoft as the primary audio architect for the Xbox team, where he was responsible for technologies such as XMA and XACT. He also created the boot sound for the original Xbox. Schmidt’s work has been featured in the “Legends of Game Music” CD set and received Sega’s “Best Sound” award. His theme from the 1988 video game NARC was covered and recorded by The Pixies.

In 1985, Schmidt received undergraduate degrees in music and computer science from Northwestern University, where he created the dual degree program between the School of Music and the Technological Institute. He went on to complete his master’s degree in computer applications in music in 1987, and portions of his thesis work appeared in Computer Music Journal. Schmidt also presented his thesis work, by invitation, to the Audio Engineering Society (AES) special conference on audio technology. Schmidt is a frequent and in-demand speaker, as well as the founder and executive director of GameSoundCon, the largest professional conference on game music and sound design.

Schmidt sits on the advisory board of the Game Developer Conference and is a founding board member of the Game Audio Network Guild (G.A.N.G.). He is also a former steering committee member of the Interactive Audio Special Interest Group (ia-sig) of the MIDI Manufacturers Association (MMA) and has presented as a keynote speaker at The Game Developers Conference and Project BBQ. Schmidt also belonged to a select group of 10 game audio professionals who successfully lobbied the National Academy of Recording Arts and Sciences (NARAS) into making video game soundtracks eligible for the Grammy Award in 1999.

Stephen O’Bent is a Seattle-based conductor, composer, and multi-instrumentalist. He holds a Bachelor of Arts in Trombone Performance from Occidental College and a Master of Music in Choral Conducting from the University of Washington, where he also completed a Post-Baccalaureate Certification in Music Education. Since 2008, O’Bent has been a touring member of the Flying Karamazov Brothers, the world-renowned musical juggling troupe, where he acts as both performer and Music Director. He also serves as Associate Minister of Music and Arts at Bellevue First Congregational Church and leads the Vivissimi ensemble of the Seattle Girls’ Choir. O’Bent has performed on five continents, appeared on Late Night with David Letterman, and has composed and arranged over 200 pieces of music.

In addition to his choral duties, O’Bent is half of the indie duo PepperJill & Jack, bandleader for the New Old Time Chautauqua’s annual summer vaudeville tour, and holds a private teaching studio in piano, guitar, voice, and trombone. He’s quite fond of his SNES and invites you come to join him for a round of Donkey Kong Country (1 or 2) at your convenience. Find out more about O’Bent at: www.stephenobent.com.

Alex Chadsey started piano lessons at age 7 and continued formal music training through college, receiving a B.F.A. in Jazz Studies with High Honors from the University of Michigan in 2003. He relocated to Seattle in 2005 and began working with some of the Pacific Northwest’s finest Latin and jazz artists. Chadsey was featured twice at Meany Hall as part of the University of Washington Visiting Artists in Ethnomusicology Concert Series — in 2007 with Joe Santiago and in 2010 with Laura Rebolloso. In 2009 Chadsey was featured on the independently-released recording Brazilian Songbird by Seattle-based jazz ensemble Sambatuque. Later that year he performed at El Teatro del Estado in Xalapa, Mexico, with the Panamerican Big Band, directed by Rufus Reid. In 2010 Chadsey performed, recorded, and arranged music for the East L.A.-based Chicano rock group, Quetzal. He played the Fender Rhodes piano on two tracks for Quetzal’s 2011 release Imaginaries, which won the 2013 Grammy Award for “Best Latin Rock, Urban or Alternative Album.”

Chadsey is a two-time recipient of the City Artist Grant from the City of Seattle Office of Arts & Cultural Affairs, in 2011 and 2013 respectively. The most recent grant supported a project called “Sounds Beyond Barriers,” which featured collaboration between students from the Seattle World School and a diverse team of artists, community activists, and educators from Los Angeles, Mexico, and Seattle.

James Borchers is a composer, sound artist, and musician. His work emphasizes sound’s role as a powerful communicative force and unique physical phenomenon. Borchers’ compositions and performances span a range of media, including orchestral and chamber music, electroacoustic and computer music, sound installations, opera, film scores, and music for theater.

Borchers’ numerous awards include fellowships and residencies at the Tanglewood Music Center, the Wellesley Composers Conference, Kimmel Center for the Arts, Jack Straw Cultural Center, and Atlantic Center for the Arts. His music has been performed in the US and abroad by groups such as the International Contemporary Ensemble, Talujon Percussion Quartet, Dinosaur Annex, the Lydian String Quartet, the New York Youth Symphony, and American Opera Projects.

John Kim, a native of Tacoma, Washington, received a full scholarship to attend the pre-college division at the Cleveland Institute of Music, where he earned his Bachelor of Music degree. He earned a Master of Music at the Manhattan School of Music studying with New York Philharmonic Concertmaster Glenn Dicterow. Upon Kim’s graduation, the college’s dean invited Kim to be guest soloist under legendary maestro Sixten Ehrling with the Manhattan Symphony. Kim was a New York String Orchestra Seminar participant under Alexander Schneider and Jaime Laredo with performances at Carnegie Hall and the Kennedy Center for the Performing Arts. He led the Jupiter Symphony of New York as Concertmaster and other ensembles at Merkin Hall, New York Town Hall, and Riverside Church NYC. He also served as Assistant Concertmaster of the Sarasota Opera in Florida, attended the Tanglewood and Spoleto festivals, and performed with jazz saxophonist David Sanborn at the White House for President Bill Clinton. He has toured cities in Germany, Austria, France, Switzerland, and Italy with the North Carolina School of the Arts International Music Program and also performed in the Seoul Festival Orchestra under Myung-Whun Chung at the Seoul Performing Arts Center in South Korea.

In the Puget Sound area, Kim is the former Concertmaster of the Bellevue Philharmonic and Northwest Sinfonietta, Associate Concertmaster of the Northwest Chamber Orchestra, Principal 2nd Violin of the Tacoma Symphony, and a member of the Seattle Symphony during their inaugural season at Benaroya Hall. He was the top prize winner of the Ladies Musical Club of Seattle Competition, featured artist on KING FM “Live by George,” and appeared as a guest soloist with numerous regional orchestras. In chamber music, he has collaborated with international artists Richard Stolzman, Elina Vähälä, Ralf Gothóni, Joseph Silverstein, and members of the Philadelphia Orchestra for Ensemble M and performed on the UW World Series at Meany Hall and Second City Strings Chamber Music Series. Currently, Kim plays frequently in the Pacific Northwest Ballet Orchestra and Seattle recording studios for motion pictures, Xbox, and Playstation games. He is on the coaching faculty of the Seattle Conservatory of Music and the Seattle Youth Symphony and maintains a private teaching studio in Bellevue, Washington.

A native of Korea, Nayoung Ham is an accomplished flutist in the Seattle area. Her diverse career includes time as a soloist, chamber musician, orchestral player, baroque flutist, and educator. In recent years, she has become involved in the video game music industry.

Ham has made significant contributions to the contemporary music scene in Seattle. She premiered works by composers Shannon Heaton and Angelique Poteat as part of Seattle Flute Society. Her involvement with various composers has led to performances at numerous National Flute Association (NFA) conventions over the years, including a 2019 appearance with her chamber group, the Ocotillo Trio, and the 2022 world premiere of Oxygen, written for 12 flutes and piccolos, by Julia Wolfe. As an equally active orchestral performer, Ham is on the sub list for the Oregon Symphony, Tacoma Opera, and Northwest Sinfonietta.

Aside from the flute and piccolo, Ham’s interest extends to historical baroque flutes. She has won the National Flute Association’s Baroque Flute Masterclass Competition, performed at the NFA annual convention, and frequently performed with Seattle’s own baroque flute ensemble, Flutes-en-Bois. Ham has also appeared at the Boston Harp Festival, the Worcester Chamber Music Society Summer Festival, and the Warebrook Contemporary Music Festival. She was also a member of the Alvo Trio and the Arizona Contemporary Music Ensemble, and has won numerous top prizes, including the Alexander and Buono Flute Competition in New York.

Ham’s recent involvement in Nintendo’s 2024 remake of Mario vs. Donkey Kong alongside her colleagues at DigiPen Institute of Technology underscores her perspectives on new musical horizons, showcasing her as a highly versatile artist. She currently serves as adjunct lecturer of chamber music at DigiPen.

Beyond her performance career, Ham is a dedicated educator, shaping the next generation of musicians at institutions such as Arizona State University and DigiPen Institute of Technology. Her founding of the Flute & Friends studio in 2019 and her role as the Director of the Bellevue Youth Symphony Orchestra Premiere Flute Ensemble speak to her commitment to music education and mentorship. Ham holds a Doctorate of Musical Arts from Arizona State University, as well as a Master of Music and a Graduate Performance Diploma from Boston Conservatory.

Her previous flute teachers and mentors include Zart Dombourian-Eby, Janet See, Elizabeth Buck, Ann Bobo, Min Park, and Soyoung Lee. Aa an active member of the NFA, Ham also served on the board of the Arizona Flute Society from 2013 to 2016 and served as an event coordinator for the Seattle Flute Society from 2018 to 2020.

Nick Wiswell is an industry veteran with over 20 years of experience and more than 25 shipped video game titles to his name. He has been the Audio Director at Turn 10 Studios at Microsoft’s Xbox Game Studios since 2010, overseeing the audio development of the Forza series of games including Motorsport, Horizon, and Street titles. Prior to that, he was an Audio Manager at game developer Bizarre Creations, contributing to series such as Geometry Wars, Project Gotham Racing, and Fur Fighters.

Wiswell has remained at the forefront of audio technology, content creation, and delivering world-class interactive audio experiences for his entire career. He has taught at DigiPen since 2018, drawing on his years of industry experience to share the art of game audio integration with his students.

Peter Caruso has been a well-known guitarist and educator in the Seattle area for many years. He earned a Bachelor of Music in Performance from Arizona State University in 1985 and has also studied at the University of New Mexico and at Eastman School of Music.

In addition to running his own teaching studio, Caruso Guitar Studio, Caruso has been an adjunct professor with both Bellevue College and North Seattle College. He is an active member of the Musicians’ Association of Seattle, founding member of the Seattle Jazz Guitar Society, and is active in both the Seattle Classic Guitar Society and the Jazz Educators Network (formerly International Association of Jazz Educators).

Known for his ability to swiftly adapt to different genres, Caruso has been featured on various projects, alternately playing classical, jazz, and Latin American music. Currently, his performance calendar consists mainly of solo classical guitar for private events and concerts, but he still plays jazz on occasional club dates. His teachers have included Frank Koonce, Hector Garcia, David Russell, Joe Pass, and Gene Bertoncini, and he has shared the stage with many well-known artists, including Bill Dobbins, Rodger Williams, Natalie Cole, Rufus Reed, Frank Lacy, and members of the Seattle Symphony.

Caruso’s approach to teaching is to focus on the student as an individual and to, as quickly as possible, find the most effective way to present material and achieve the best results.

Rachel Yoder currently serves as adjunct professor of music theory, musicianship, and clarinet at DigiPen Institute of Technology, and as editor of The Clarinet, the quarterly journal of the International Clarinet Association. Based in the Seattle area, she currently performs with the Madera Wind Quintet, Seattle Modern Orchestra, and Odd Partials clarinet/electronics duo, with additional recent collaborations including the Universal Language Project, Seattle Metropolitan Chamber Orchestra, and a video production of Steve Reich’s New York Counterpoint at the Classical KING FM studio.

Yoder has performed and presented throughout the United States, including at the International Clarinet Association ClarinetFest and the International Computer Music Conference. She previously taught clarinet and woodwind pedagogy at Southeastern Oklahoma State University and taught clarinet as a teaching fellow at the University of North Texas, where she earned a doctorate in clarinet performance. She also holds degrees from Michigan State University and Ball State University.

Originally from Austin, Texas, Sara Figueroa earned her Bachelor of Music degree in Classical Vocal Performance from Rice University, followed by a Master of Music in Classical Vocal Performance from the University of Houston.

As a performer, Figueroa has combined her exceptional vocal technique and engaging stage presence to delight audiences in such roles as Fiorilla (Il turco in Italia), Jouvenot (Adriana Lecouvreur), and Despina (Così fan tutte).

A gifted instructor, Figueroa opened her own voice studio in 2004. She continued private voice instruction upon moving to the Seattle area, where she has been an influential member of the music education community since 2007. Figueroa is also a voice instructor for Bellevue College and has collaborated many times with the award-winning Lake Washington High School choir department, including as musical director for several of the school’s productions, such as The Music Man, Grease, and The 25th Annual Putnam County Spelling Bee. She has also served as an officer and board member of the Puget Sound regional chapter of the National Association of Teachers of Singing.

In 2016, Figueroa joined DigiPen’s Department of Music as an adjunct faculty member. She provides private instruction in applied voice to all students in the program who have chosen vocal performance as their primary instrument. Figueroa greatly appreciates the diversity of DigiPen’s student body and its supportive environment.

Susan Park-Kim brings a wealth of experience and expertise to the Department of Music at DigiPen as a dedicated member of the voice and piano faculty. With a rich background in both vocal and piano performance, she brings a unique perspective and depth of knowledge to her teaching. With a passion for both performance and education, Park-Kim is committed to nurturing the next generation of musicians through her teaching, mentoring, and artistic guidance.

Park-Kim received her undergraduate and graduate degrees from the Mannes College of Music in New York City, where she was a scholarship recipient for six years. During her time at Mannes College, she studied voice and drama under the mentorship of renowned artists such as Antonia LaVanne, Peter Elkus, Paul Echols, and Nico Castel. She further honed her skills through specialized training in piano.

Drawing from her extensive training and performance experience, Park-Kim adopts a holistic approach to music education, emphasizing the development of technical proficiency, artistic expression, and musical understanding. She believes in fostering a supportive and collaborative learning environment where students are encouraged to explore their creativity and discover their unique musical voice.

With years of teaching experience, Park-Kim has worked with students of all ages and levels, from beginners to advanced musicians. She has taught voice and piano lessons in both private and academic settings, helping her students achieve their musical goals. She has a proven track record of guiding her students to success in auditions, competitions, and performances, instilling in them a lifelong love for music and learning. She also has a passion for choral conducting and is currently a choir director and a music director at the musical department at King’s High School in Shoreline.

As a performer, Susan has delighted audiences with her expressive singing and dynamic piano playing. She has been featured numerous times as a soloist in Handel’s Messiah and Psalm 112, Mendelssohn’s Elijah, and Vivaldi’s Gloria. Her performances have taken her to prestigious concert halls in New York, Los Angeles, Toronto, Portland, Vancouver, Tacoma, Seattle, and Seoul where she has showcased her versatility and artistry. Susan has appeared in Die Zauberflote as Papagena, Le Nozze di Figaro as Cherubino, School for Fathers as Lycietta, A Death in the Family as Catherine, and Amahl and the Night Visitors as the mother. She has also appeared in the critically acclaimed productions of Herod and Slaughter of the Innocents under the direction of Paul Echols.

Tacket Brown began playing music at an early age. He was influenced greatly by his grandmother, herself a concert pianist, who started him on drums at the age of nine. By age 14 he began playing professionally in the Portland metro area at well established jazz venues. His teachers included the jazz drum legend Mel Brown (The Temptations, Stevie Wonder) and Grammy-nominated percussionist Niel DePonte (Oregon Symphony).

In his late teens Brown began focusing on classical percussion, making his solo debut at the age of 15 performing the West Coast premiere of Daniel Dorff’s Allegro Volante for solo percussion with members of the Oregon Symphony. From there, under the tutelage of Niel DePonte, he began performing semi-regularly with the Oregon Symphony as a section percussionist, the youngest member at the time. By age 17 he had received a full-tuition scholarship to attend the highly acclaimed University of Michigan School of Music, where he earned his Bachelor of Music Performance with concentration in Percussion Performance and Music Education.

He has performed countless concerts across the US, Japan, Argentina, Europe, and Canada and has appeared on 40+ albums. He currently teaches drum set and percussion studies at DigiPen and conducts freelance master classes and clinics across the Pacific Northwest.